Posts Tagged ‘Tropic of Cancer’

Cold Harvest

May 2, 2012

tropic of cancer permissions

I have to admit I’ve succumbed utterly to the allure of the latest wave of music so heavily inspired by the most formative genres of my youth in the early eighties. This is about Post Punk, Coldwave, Darkwave, Synthwave, Goth. Folks like Cold Cave, Von Haze, Chelsea Wolfe, Les Modules Etranges (and their various spinoffs) and a host of others I’m still uncovering.

That’s the most enjoyable part, really. Discovering the new and mysterious all over again. You can almost remember the feeling of bringing home that 12″ ep from the record store with it’s stark, minimalist black and white cover. Perfect design and lettering. Music and words that went well with your black leather jacket and sullen outlook.

The inspiration for this wave of newcomers comes from those very days and the enigmatically shrouded sounds and styles that defined it for so many of us with that sort of bent. Joy Division, first and foremost. Early Cure. Belgian Coldwave like Isolation Ward. Nagamatzu. Mass and other dawn of 4AD bands. Countless others.

Folks remember those days well. Take Tropic of Cancer, pictured above and sampled below, have done a fantastic job of harvesting those sounds and molding them into something just as darkly seductive as you remember. They even like to release their stuff on 12″ ep’s, a wondrously deliberate indicator that they appreciate the history. They understand their audience. They know what we love. They’ve had me hooked since The Dull Age.

As I say, I have succumbed. And though I know I can never really return to that time or totally recapture that feeling, I’m very willing to try and absorb what’s coming along now as much as I can. Delve into the underground and seek out the sounds and the art. The darker the better.

Someone hand me This Mortal Coil’s “Gathering Dust ep. I need to give it a spin.

Dignified Disintegration

March 23, 2011

Phenomenal.

A gentleman at bookmat describing Belong’s October Language album.

“The collaborative venture of Turk Dietrich and Michael Jones, Belong inhabit a sonic territory that seems perpetually out of sight – giving the same effulgent warmth as standing with your back to a sunset, or glimpsing a blizzard through a frosted window. Understanding that all beauty has an inherent element of decay, Belong resemble a colourful photo left out in the sun to fade – combining an operatic scope akin to Kevin Shields, with an eroded sensibility that flirts with Baskinski and shares a certain predilection with Fennesz or Gas. Constructed with an attention to detail that borders on the compulsive, Belong open with ‘I Never Lose. Never Really.’; wherein a camera-obscura approach slowly reveals a static fuzz of sprawling soundscapes and awe-inspiring intensity that shares its scope with Sigur Ros, whilst resorting to none of the orchestral bombast on which they rely. The fact that Dietrich has collaborated with Telefon Tel Aviv (whose Joshua Eustis guests on the title-track) also becomes apparent throughout ‘October Language’, not so much due to an overt similarity in sound, but more through the wide-screen production and starburst intensity in which they both revel. With the likes of ‘I’m Too Sleepy… Shall We Swim?’, ‘Who Told You This Room Exists’ and ‘The Door Opens The Other Way’ all possessing a corroded elegance that can be interpreted as either majestic or malignant, ‘October Language’ is a masterclass in dignified disintegration. Phenomenal.”

I’m going to have to listen to that one.

I think I prefer their Common Era album which, according to that same site, sounds as follows; “Skeletal songs and wordless vocals appear from the dense depths of blurred sound like Grouper playing Jesus and Mary Chain covers in lost cavern, a few miles of the coast. “

Now who could resist something like that?

As an aside, the remix of Tropic of Cancer’s Be Brave by Richard H. Kirk (Cabaret Voltaire) is thumpingly brilliant.

The Dull Age

March 9, 2011

by

Tropic of Cancer


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